Related Music (Beta) question-dark

Versions - Different performances of the song by the same artist

Compilations - Other albums which feature this performance of the song

Covers - Performances of a song with the same name by different artists

Song Title	Versions	Compilations	Covers
Alabama Getaway ->
Greatest Story Ever Told
They Love Each Other
New Minglewood Blues
Tennessee Jed
My Brother Esau
Loser
Let It Grow
Iko Iko ->
Samson And Delilah ->
He's Gone ->
Smokestack Lightnin' ->
Cryptical Envelopment ->
Drums ->
Space ->
Comes A Time ->
The Other One ->
Cryptical Envelopment ->
Wharf Rat ->
Around And Around ->
Good Lovin'
U.S. Blues

Notes

*Matrix*



----------------------------------------------------

SBD(s):



Recording Info:

SBD -> Cassette Master -> PCM -> Dat -> CD



Editing Info:

CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN

(3 Discs Audio / 2 Discs SHN)



Transfered and Edited By Charlie Miller

charliemiller87@earthlink.net

7/28/04



Notes:

-- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1.

----------------------------------------------------

AUDs:



Set 1

-----



Nak 300 > D5 > CM > CDR



DAE and shorten encoding by C. Vinci



Set 2

-----

Recorded by Jim Oade

Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)



Field:

Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1



Transfer:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

---------------------------------------------------

Thank you to Charlie Miller and John Lyons for the SBD transfer,

to Chris Vinci and Mike Lai for the set 1 AUD transfer

to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer,

and to Mr. B. for helping me verify the set 1 pitch.



Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

September 23, 2008



Notes:



1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation.



2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better.



3) One momentary cut in the AUD during Space in set 2.



4) Set 2 is seamless.



5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!